With the camera lens focused on a frosted screen, timed for two seconds @ f16.
An upside-down image is there to be seen of a baggage waiting room in the age of steam.
With darkroom chemistry and timers lets see what transpires, and keep a memory
so not to fade and hope I caught the light and shade.
Fumbling in darkness with the negatives, developers, and fixers,
the stop baths are imperative.
The timing of the process must be right, only then it is safe to turn on the light.
Fiber-based paper is the best you can use to burn and dodge to paint with light.
It's still a snapshot and a delight.....................
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